It’s time for another Six Degrees post, hooray! This is a monthly meme where participants are given the same starting book by Kate over at BooksAreMyFavouriteAndBest. We then add six linked books of our choosing. It’s always fascinating to see how different the chains end up being.Continue reading “Six Degrees of Separation: From The Bass Rock to Catriona”
There is nothing like a holiday on the Scottish islands for that feeling of getting away from it all. Total rest and relaxation – highly recommended.
Over the last couple of weeks, I have really enjoyed the slower pace of the islands, the chance to be deep in nature, and the delights of exploring new-to-us places. It has also struck me, however, how many connections there are, often in unexpected places, with fellow humans past and present.
Orkney is famous for its ancient history. People from the Neolithic age speak to us through their legacy right across the island. This is the Ring of Brodgar:
My holiday diary so far has celebrated the natural magic of the Orcadian landscape. Let me change tack awhile in this post to focus on the magic of creativity.
Stromness is Orkney’s second largest town. It is a picturesque urban area with lots of interesting nooks and crannies, and a natural harbour from which you can sail to mainland Scotland:
Walking along the main street, we came across the Pier Arts Centre, and decided to take a look. From the outside, it was not at all clear what we might find:
Incredibly, it turned out to be what artist Patrick Heron describes as “one of the most distinguished and perfect smaller collections of 20th century art on permanent display anywhere in the world”. Packed full of stunning artwork by modern British artists, this gallery is absolutely stunning. The collection was initially established by a major donation by Margaret Gardiner who was a hugely important champion of British modern art, mainly through the middle of the 20th Century.
I took tons of photos and found it so difficult to pick a few for this post – everything seemed to be a favourite. So here are some of my favourite favourites, as it were (click to enlarge, and for captions):
Experiencing this gallery is not just about looking at the collection: the building and surroundings are just as captivating:
I loved all the textures, light and reflections, which drew together perfectly the interior and exterior. In this picture by Alan Reynolds, you can see reflected the mask by Martin Boyce, and the harbour beyond. It seems particularly apt that the Boyce sculpture is called ‘Everything Is Outside’:
(PS a close look at the centre of this harbour photo reveals the seal which was happily bobbing about)
Back on the inside/outside theme, I also loved this brilliant Cursiter painting, which reflects the room in which it is hanging, as well as the street outside, in turn mirroring Cursiter’s painting Bernstane House, which hangs at right angles to the window:
And finally, look at the exquisite placing of this Hepworth sculpture against the undulating shapes and colours of the water and kelp outside:
This gallery gives the viewer a totally immersive and highly memorable art experience, all for free which is amazing. Margaret Gardiner was visionary in her generosity – what an incredible woman she clearly was. And everyone involved in presenting the collection, and running the gallery in general, are to be congratulated on a stunning achievement.
I have not even scratched the surface of the gallery’s riches in this post, even though it is very photo-heavy. Plenty more can be seen on the gallery’s website which I highly recommend for more information about its 40-year journey and the collection. And of course, this is a must-visit destination for anyone on the Orkney Mainland.
Finally, although I hesitate to do so in such august artistic company, I should note that the featured image at the top of this post is a digital painting by me, inspired by the colours of the following painting by Callum Innes. Margaret Gardiner’s donation is described by the gallery as ‘an unfolding gift’. I feel privileged to have spent time in, and benefitted from, this amazing place of magical creativity.
“ The essence of Orkney’s magic is silence, loneliness and the deep marvellous rhythms of sea and land, darkness and light.” – George Mackay Brown
A few short weeks ago we were immersed in the hustle and bustle of Edinburgh’s summer festivals. As I type now, we are 300 miles north, on the Mainland of the Orkney Isles – it could not be more different!
We arrived by ferry just over 24 hours ago and already it feels like we have been transported to the magical, distant place described by Orcadian poet George Mackay Brown. This was the view from our holiday property early this morning (click on any image to enlarge):